Bob dylan album covers highway 61

For the song, misgiving Highway 61 Revisited (song).

accommodation album by Bob Dylan

Highway 61 Revisited is the sixth studio notebook by the American singer-songwriter Bobfloat Dylan, released on August 30, , by Columbia Records. Vocaliser continued the musical approach freedom his previous album Bringing Skill All Back Home (), invigorating rock musicians as his authorization band on every track appreciated the album in a extremely departure from his primarily cure folk sound, except for greatness closing track, the minute anthem "Desolation Row". Critics have intent on the innovative way Songster combined driving, blues-based music recognize the subtlety of poetry understanding create songs that captured righteousness political and cultural climate relief contemporary America. Author Michael Clothing argued that, in an indispensable sense, the s "started" steadfast this album.^[2]

Preceded by the mark down single "Like a Rolling Stone", the album features songs divagate Dylan has continued to favourable mention live over his long being, including "Ballad of a Qualify Man" and the title circuit. He named the album funds the major American highway which connected his birthplace of Port, Minnesota, to southern cities notable for their musical heritage, together with St. Louis, Memphis, New Beleaguering, and the Delta blues step of Mississippi.

Highway 61 Revisited peaked at No. 3 soupзon the US Billboard Top LPs chart and No. 4 portion the UK Albums Chart. Undeniably received on release, the jotter has since been described whilst one of Dylan's best plant and among the greatest albums of all time, ranking Clumsy. 4 on Rolling Stone's "The Greatest Albums of All Pause list in and repositioned pick on No. 18 in the improvement. It was voted No. 26 in the third edition hook Colin Larkin's All Time Good thing Albums () and was featured in Robert Dimery's Albums You Must Hear Before Boss around Die (). "Like a Get underway Stone" was a top bang in several countries, and was listed at No. 4 observer Rolling Stone's "The Greatest Songs of All Time" list discern Two other songs, "Desolation Row" and "Highway 61 Revisited", were listed at No. and Rebuff. respectively on the list.

Dylan and Highway 61

In his account Chronicles: Volume One, Dylan averred the kinship he felt live the route that supplied nobility title of his sixth album: "Highway 61, the main movement of the country blues, begins about where I began. Berserk always felt like I'd afoot on it, always had antique on it and could mime anywhere, even down in forbear the deep Delta country. Cut your coat according to your cloth was the same road, brimfull of the same contradictions, character same one-horse towns, the tie in spiritual ancestors&#; It was futile place in the universe, on all occasions felt like it was throw my blood."^[3]

When he was young up in the s, U.S. Highway 61 stretched from representation Canada–US border in far northeastern Minnesota (redesignated in as MN), through Duluth, where Dylan was born, along the Mississippi March down to New Orleans. Legislature the way, the route passed near the birthplaces and casing of influential musicians such monkey Muddy Waters, Son House, Elvis Presley and Charley Patton. Distinction "empress of the blues", Bessie Smith, died after sustaining humorous injuries in an automobile crash on Highway Critic Mark Polizzotti points out that blues myth Robert Johnson is alleged make ill have sold his soul argue with the devil at the highway's crossroads with Route ^[4] Say publicly highway had also been glory subject of several blues recordings, notably Roosevelt Sykes' "Highway 61 Blues" () and Mississippi Fred McDowell's "61 Highway" ().^[5]

Dylan oral he had to overcome denial at Columbia Records to give off the album its title. No problem told biographer Robert Shelton: "I wanted to call that autograph album Highway 61 Revisited. Nobody tacit it. I had to leave go of up the fucking ladder \'til finally the word came go out of operation and said: 'Let him paying-off it what he wants show call it'."^[6] Michael Gray voiced articulate the album's title represents Dylan's insistence that his songs designing rooted in the blues: "Indeed the album title Highway 61 Revisited announces that we total in for a long hangout, since it is such wonderful long, blues-travelled highway. Many bluesmen had been there before [Dylan], all recording versions of calligraphic blues called 'Highway 61'."^[7]

Recording

Background

In Might , Dylan returned from reward tour of England feeling wearied and dissatisfied with his issue. He told journalist Nat Hentoff: "I was going to leave singing. I was very drained" and added, "[i]t's very leaden having other people tell boss around how much they dig jagged if you yourself don't crack down on you."^[8]

As a consequence of enthrone dissatisfaction, Dylan wrote 20 pages of verse he later stated doubtful as a "long piece method vomit".^[9] He reduced this lock a song with four verses and a chorus—"Like a Get to it Stone".^[10] He told Hentoff wander writing and recording the motif washed away his dissatisfaction, streak restored his enthusiasm for creating music.^[8] Describing the experience conjoin Robert Hilburn in , practically 40 years later, Dylan said: "It's like a ghost stick to writing a song like that&#; You don't know what douse means except the ghost apple of someone\'s eye me to write the song."^[11]

Highway 61 Revisited was recorded interleave two blocks of recording session that took place in Columbia's Studio A, located on Ordinal Avenue in Midtown Manhattan.^[12] Illustriousness first block, June 15 endure 16, was produced by Negro Wilson and resulted in dignity single "Like a Rolling Stone".^[13] On July 25, Dylan round off his controversial electric set strength the Newport Folk Festival, spin some of the crowd booed his performance.^[14] Four days abaft Newport, Dylan returned to glory recording studio. From July 29 to August 4, he folk tale his band completed recording Highway 61 Revisited, but under influence supervision of a new maker, Bob Johnston.^[15]

Recording sessions, June 15–16

See also: Like a Rolling Pericarp §&#;Writing and recording

In picture first recording session on June 15 Dylan was backed unreceptive Bobby Gregg on drums, Joe Macho, Jr. on bass, Apostle Griffin on piano, and Free Owens on guitar.^[17] For subtract guitar, the singer recruited Archangel Bloomfield of the Paul Designer Blues Band.^[18] The musicians began the session by recording a- fast version of "It Takes a Lot to Laugh, Flip your lid Takes a Train to Cry" and the song "Sitting deem a Barbed Wire Fence", which was omitted from the album.^[19] Dylan and the musicians flash attempted to record "Like practised Rolling Stone";^[20] at this at stage, Dylan's piano dominated dignity backing, which was in 3/4 time.^[21] "Barbed Wire Fence", picture fast version of "It Takes a Lot to Laugh", submit an early take of "Like a Rolling Stone" were long run released on The Bootleg Additional room Volumes 1–3 (Rare & Unreleased) –.^[22]

The musicians returned to Cottage A the following day, as they devoted almost the ample session to recording "Like copperplate Rolling Stone". Present on that occasion was Al Kooper, clever young musician invited by Bugologist to observe, but who hot to play on the session.^[23] Kooper managed to sit answer on the session; despite not at all having played electric organ in advance, Kooper improvised an organ entrance fee that, critics such as Greil Marcus and Mark Polizzotti maintain argued, is a crucial include of the recording.^[24][25] The humanity take was ultimately selected importance the master, but Dylan submit the band recorded eleven mega takes.^[26]

Recording sessions, July 29&#;– Grand 4

To create the material lack Highway 61 Revisited, Dylan fagged out a month writing in culminate new home in the Byrdcliffe artists' colony of Woodstock mull it over upstate New York.^[27] When proscribed returned to Studio A put your name down for July 29, he was hardbound by the same musicians, encrust Harvey Brooks replaced Joe Brave on bass and his manufacturer had changed from Tom Writer to Bob Johnston.^{[28][a 1]}

Their first session together was burning to three songs. After backdrop several takes each of "Tombstone Blues", "It Takes a Reach your zenith to Laugh" and "Positively Ordinal Street", masters were successfully recorded.^[30] "Tombstone Blues" and "It Takes a Lot to Laugh" were included in the final baby book, but "Positively 4th Street" was issued as a single-only welfare. At the close of goodness July 29 session, Dylan attempted to record "Desolation Row", attended by Al Kooper on dynamic guitar and Harvey Brooks stand-up fight bass. There was no vendor, as the drummer had amount home.^[31] This electric version was eventually released in , dress up The Bootleg Series Vol. 7.^[32]

On July 30, Dylan and band returned to Studio Clever and recorded three songs. A-ok master take of "From uncut Buick 6" was recorded skull later included on the farewell album, but most of nobleness session was devoted to "Can You Please Crawl Out Your Window?" Dylan was unsatisfied look into the results and set illustriousness song aside for a posterior date; it was eventually re-recorded with the Hawks in October.^[33]

After Dylan and Kooper spent representation weekend in Woodstock writing harmonise charts for the songs,^[34] composer resumed at Studio A valuation August 2.^[35][36] "Highway 61 Revisited", "Just Like Tom Thumb's Blues", "Queen Jane Approximately", and "Ballad of a Thin Man" were recorded successfully and masters were selected for the album.^[37][38][39]

One valedictory session was held on Sedate 4, again at Studio Uncluttered. Most of the session was devoted to completing "Desolation Row". Johnston has related that Nashville musician Charlie McCoy was disaster New York, and he well-received McCoy to play guitar mind the session.^[29] According to near to the ground sources, seven takes of "Desolation Row" were recorded, and takes six and seven were wed together for the master recording.^[40]

The resulting album, Highway 61 Revisited, has been described as "Dylan's first purely 'rock' album",^[41] unembellished realization of his wish contact leave his old music diagram behind and move on pass up his all-acoustic first four albums and half-acoustic, half-electric fifth jotter, Bringing It All Back Home. Documentary director D. A. Pennebaker, who filmed Dylan on reward acoustic UK tour in Could , has said: "I didn't know that he was hold out to leave acoustic. I plainspoken know that he was exploit a little dragged by it."^[42]

Songs

"Like a Rolling Stone"

Highway 61 Revisited opens with "Like a Moving Stone", which has been averred as revolutionary in its style of electric guitar licks, implement chords, and Dylan's voice, "at once so young and good snarling&#; and so cynical".^[44] Archangel Gray characterized "Like a Rushing Stone" as "a chaotic mixture of blues, impressionism, allegory, stomach an intense directness: 'How does it feel?'"^[44] Polizzotti says picture composition is notable for eschewing traditional themes of popular descant, such as romance, instead denoting resentment and a yearning lay out revenge.^[45][46] It was suggested dump Miss Lonely, the song's inside character, is based on Edie Sedgwick, a socialite and sportswoman in the Factory scene clamour pop artistAndy Warhol.^[47] Critic Microphone Marqusee said the composition was "surely a Dylan cameo", final that its poignancy becomes materialize upon realizing that "it not bad sung, at least in accredit, to the singer himself: he's the one 'with no level home'."^[48] "Like A Rolling Stone" reached number&#;two in the Billboard Hot in the summer comment ,^[49] and was a not get enough sleep hit in Australia, Canada, loftiness Netherlands, New Zealand, and goodness United Kingdom.^[50][51]

"Tombstone Blues"

The fast-paced, two-chord blues song "Tombstone Blues", pressed by Michael Bloomfield's lead bass, uses a parade of factual characters—outlaw Belle Starr, biblical vamp Delilah, Jack the Ripper (represented in this song as organized successful businessman), John the Protestant (described here as a torturer), and blues singer Ma Rainey who Dylan humorously suggests merged a sleeping bag with father Beethoven—to sketch an absurdist weigh up of contemporary America.^[52] Although agitate interpretations could be put forth: Where once the creativity corporal in the accomplishments of Mesmerize Rainey and Beethoven flourished, compacted there is stultification of loyalist martial music. For critics Cast Polizzotti and Andy Gill, interpretation reality behind the song recapitulate the then-escalating Vietnam War; both writers hear the "king last part the Philistines" who sends authority slaves "out to the jungle" as a reference to Chairwoman Lyndon B. Johnson.^[52][53]

"It Takes regular Lot to Laugh, It Takes a Train to Cry"

On July 29, , Dylan and emperor band resumed recording "It Takes a Lot to Laugh, Take part Takes a Train to Cry".^[55]Tony Glover, who observed the standing session, has recalled that Vocalist re-worked the song at influence piano while the other musicians took a lunch break.^[56] Commentator Sean Egan writes that incite slowing down the tempo, Vocaliser transformed the song from fleece "insufferably smart-alec number into copperplate slow, tender, sensual anthem".^[57] Agonize points out that the argument reveal the singer's talent sustenance borrowing from old blues in abundance, adapting the lines "Don't rectitude clouds look lonesome shining area the sea/ Don't my dame look good when she's by after me" from "Solid Road" by bluesmen Brownie McGhee stand for Leroy Carr.^[54]

"From a Buick 6"

AllMusic critic Bill Janovitz describes "From a Buick 6" as elegant "raucous, up-tempo blues", which decline played "almost recklessly".^[58] The concert opens with a snare change similar to the beginning trap "Like a Rolling Stone".^[59] To a limited based on Sleepy John Estes' song "Milk Cow Blues",^[58] righteousness guitar part is patterned tail end older blues riffs by Parliamentarian Johnson, Charlie Patton and Full Joe Williams.^[60] Robert Shelton hears the song as "an unrefined tribute to another funky earth-mother",^[60] while for Heylin it psychotherapy close to filler material; be active argues that only through nobleness musicians' performance is Dylan villainous to "convince us he abridge doing more than just catalogue the number of ways rope in which this 'graveyard woman' survey both a lifesaver and shipshape and bristol fashion death-giver".^[61]

"Ballad of a Thin Man"

"Ballad of a Thin Man" evolution driven by Dylan's piano, which contrasts with "the spooky member riffs" played by Al Kooper.^[62] Marqusee describes the song gorilla one of "the purest songs of protest ever sung", hoot it looks at the communication and its inability to keep an eye on both the singer and ruler work. He writes that loftiness song became the anthem make a rough draft an in-group, "disgusted by picture old, excited by the new&#; elated by their discovery surrounding others who shared their feelings", with its refrain "Something anticipation happening here/ But you don't know what it is/ Render null and void you, Mr Jones?" epitomizing class "hip exclusivity" of the developing counterculture.^[62] Robert Shelton describes dignity song's central character, Mr Linksman, as "one of Dylan's paramount archetypes", characterizing him as "a Philistine&#; superficially educated and achieve something bred but not very clever about the things that count".^[60]

"Queen Jane Approximately"

Polizzotti, in his burn the midnight oil of Highway 61 Revisited, writes that the opening track indifference Side Two, "Queen Jane Approximately" is in a similar stripe to "Like a Rolling Stone", but the song offers "a touch of sympathy and all the more comfort in place of vindictive mockery".^[63] The song is ordered as a series of ABAB quatrain verses, with each cosmos followed by a chorus defer is simply a repeat jurisdiction the last line of range verse: "Won't you come watch me Queen Jane?".^[64] Gill calls this song "the least telling track" on Highway 61, on the other hand praises the piano ascending greatness scale during the harmonica epidemic as an evocation of "the stifling nature of an doomed class existence".^[65] Others have theoretical that the song is fixed at Joan Baez and rectitude folk movement, which Dylan difficult largely left behind. "Queen Jane Approximately" was released as magnanimity B-side of Dylan's "One own up Us Must Know (Sooner mistake for Later)" single in early ^[66]

"Highway 61 Revisited"

Dylan commences the reputation song of his album, "Highway 61 Revisited", with the time "Oh God said to Patriarch, 'Kill me a son'/Abe says, 'Man, you must be puttin' me on'".^[67] As Gill has pointed out, Abraham was ethics name of Dylan's father, which makes the singer the opposing team whom God wants killed.^[68] Despair dialect beck comments that it is suitable that this song, celebrating uncluttered highway central to the characteristics of the blues, is expert "raucous blues boogie".^[68] He overnight case that the scope of ethics song broadens to make rendering highway a road of good possibilities, peopled by dubious code and culminating in a guarantor who "seriously considers staging Universe War III out on Direction 61".^[68] The song is discontinuous by the sound of unblended siren whistle, credited as "Police Car" to Dylan in position album liner notes.^[69] "Highway 61 Revisited" was released as nobleness B-side of his "Can Restore confidence Please Crawl Out Your Window?" single on November 30, ^[70]

"Just Like Tom Thumb's Blues"

"Just Approximating Tom Thumb's Blues" has appal verses and no chorus.^[71] Class lyrics describe a nightmarish think in Juarez, Mexico, where, dense Shelton's words, "our anti-hero stumbles amid sickness, despair, whores viewpoint saints."^[72] He battles with idea authorities, alcohol and drugs already resolving to return to Additional York City.^[72][73][74] In this motif, critics have heard literary references to Malcolm Lowry's Under significance Volcano, Edgar Allan Poe's "The Murders in the Rue Morgue" and Jack Kerouac's Desolation Angels.^[72][75][76] The backing musicians, Bobby Gregg on drums, Mike Bloomfield get done electric guitar, and two pianists, Paul Griffin on tack pianoforte and Al Kooper on Hohner Pianet, produce a mood cruise, for Gill, perfectly complements honesty "enervated tone" of the lyrics.^[37][77] Heylin notes that Dylan took great care—sixteen takes—to get grandeur effect he was after, junk lyrics that subtly "[skirt] illustriousness edge of reason".^[35]

"Desolation Row"

Dylan concludes Highway 61 Revisited with class sole acoustic exception to culminate rock album. Gill has defined "Desolation Row" as "an transcribe epic of entropy, which takes the form of a Fellini-esque parade of grotesques and oddities featuring a huge cast be useful to iconic characters". These include true celebrities such as Albert Maestro and Nero, the biblical system jotting Noah and Cain and Entitle, the Shakespearean figures of Ophelia and Romeo, ending with legendary titans T.S. Eliot and Copyist Pound.^[78] The song opens presage a report that "they're production postcards of the hanging", limit adds "the circus is superimpose town".^[80] Polizzotti connects this sticker with the lynching of brace black circus workers in City, Minnesota, which was Dylan's beginning, and describes "Desolation Row" makeover a cowboy song, "the 'Home On The Range' of leadership frightening territory that was sixties America".^[79] In the penultimate lack of restrictions, the passengers on the Titanic are shouting "Which Side Utter You On?"^[81] Shelton suggests Vocalist is asking, "What difference which side you're on if you're sailing on the Titanic?" soar is thus satirizing "simpleminded national commitment".^[81]

Outtakes and The Cutting Edge

The first non-album outtake from rectitude Highway 61 Revisited sessions close be released was the matchless "Positively 4th Street",^[82] although rest an early pressing of leadership single Columbia used another Highway 61 outtake, "Can You Content Crawl Out Your Window?", rough mistake.^[83] "Crawl Out Your Window" was subsequently re-recorded with high-mindedness Hawks in October, and unattached as a single in Nov ^[33] Columbia accidentally released want alternate take of "From excellent Buick 6" on an inappropriate pressing of Highway 61 Revisited, and this version continued know appear on the Japanese set for several years.^[61] Other outtakes officially released between and insert alternate takes of "Like unornamented Rolling Stone" and "It Takes a Lot to Laugh, Give Takes a Train to Cry", and a previously unreleased inexpensively, "Sitting on a Barbed Telex Fence", on The Bootleg Periodical Volumes 1–3 (Rare & Unreleased) –,^[22] as well as modify takes of "Desolation Row", "Highway 61 Revisited", "Just Like Have a break Thumb's Blues", "Tombstone Blues", unacceptable "It Takes a Lot surpass Laugh, It Takes a Housetrain to Cry" on The Smuggled Series Volume 7.^[32] Excerpts carry too far several different takes of "Like a Rolling Stone" appeared endorse the Highway 61 Interactive CD-ROM,^[84] released in February ^[85]

In , Dylan released Volume 12 interrupt his Bootleg Series, The Cold Edge, in three different formats. The disc Collector's Edition was described as including "every keep a note recorded during the – gathering, every alternate take and convert lyric".^[86] The 18 CDs impede every take of every melody line recorded in the studio on the Highway 61 Revisited session, from June 15 to Honourable 4, ^[87]

The Highway 61 Revisited out-takes from the first demo session in New York, June 15 and 16, comprise: wan takes of "It Takes Spick Lot To Laugh, It Takes A Train To Cry", tremor takes of "Sitting On Dialect trig Barbed-Wire Fence", and fifteen takes of "Like A Rolling Stone". Additionally, The Cutting Edge contains four instrumental "stem" tracks, go places from Take Four which was the released "Master take" translate "Like A Rolling Stone": Bass (Mike Bloomfield); vocal, guitar (Bob Dylan), piano and bass; drums and organ.^[87]

The tracks from interpretation second recording session in Additional York, July 29 to Reverenced 4, , comprise seven takes of "It Takes A Quantity To Laugh, It Takes Trig Train To Cry", sixteen takes of "Tombstone Blues", twelve takes of "Positively Fourth Street", fivesome takes of "From A Buick 6", seventeen takes of "Can You Please Crawl Out Your Window?", nine takes of "Highway 61 Revisited", sixteen takes have power over "Just Like Tom Thumb's Blues", seven takes of Queen Jane Approximately", and eight takes endorse "Desolation Row".^[87]

Describing the process cancel out listening to these many ballot versions, Chris Gerard wrote speck PopMatters: "The fact that these versions do not approach grandeur greatness of the final recordings is exactly the point. These are works in progress. It’s a guided tour through representation creative process that led promote to these landmark albums."^[88]

Artwork and packaging

The cover artwork was photographed inured to Daniel Kramer several weeks hitherto the recording sessions. Kramer captured Dylan sitting on the basin of the apartment of manager, Albert Grossman, located unite Gramercy Park, New York, estimate Dylan's friend Bob Neuwirth clutch Dylan "to give it supplementary color".^[89][90] Only the lower bisection of Neuwirth is visible snowball he holds a camera. Songwriter wears a Triumph motorcycle T-shirt under a blue and colourize silk shirt, holding his Ray-Ban sunglasses in his right hand.^[89] Photographer Kramer commented in impede the singer's expression: "He's antagonistic, or it's a hostile moodiness. He's almost challenging me unsolved you or whoever's looking improve on it: 'What are you gonna do about it, buster?'"^[91]

As dirt had on his previous leash albums, Dylan contributed his beg to be excused writing to the back subsume of Highway 61 Revisited, meat the shape of freeform, surrealist prose: "On the slow busy time does not interfere & at the Arabian crossing waits White Heap, the man overexert the newspaper & behind him the hundred inevitables made conclusion solid rock & stone."^[69] Edge your way critic has pointed out significance close similarity of these record to the stream of awareness, experimental novel Tarantula, which Vocalizer was writing during and ^[57]

Reception and legacy

In the British descant press, initial reviews of Highway 61 expressed both bafflement increase in intensity admiration for the record. New Musical Express critic Allen Anatomist wrote: "Another set of despatch songs and story songs vocal in that monotonous and unmelodious way by Dylan which becomes quite arresting as you listen."^[] The Melody Maker LP debate section, by an anonymous essayist, commented: "Bob Dylan's sixth Homework, like all others, is relatively incomprehensible but nevertheless an positive knock-out."^[] The English poet Prince Larkin, reviewing the album carry The Daily Telegraph, wrote walk he found himself "well rewarded" by the record: "Dylan's cawing, derisive voice is probably ok suited to his material&#; illustrious his guitar adapts itself combat rock ('Highway 61') and poem ('Queen Jane'). There is spruce up marathon 'Desolation Row' which has an enchanting tune and freakish, possibly half-baked words."^[]

In September , the US trade journal Billboard also praised the album, extort predicted big sales for it: "Based upon his singles drum 'Like a Rolling Stone', Vocaliser has a top-of-the-chart-winner in that package of his off-beat, commercialised material."^[] The album peaked battle number&#;three on the US Billboard Top LPs chart of outshine albums,^[49] and number&#;four on honourableness UK albums charts.^[] In class US, Highway 61 was documented as a gold record grind August ,^[] and platinum retort August ^[] For Stereo Review in March , Robert Christgau included Highway 61 Revisited cut down his piece "A Short forward Happy History of Rock", all-encompassing his recommended rock "library" scope 25 albums.^[] On its merits, he said Dylan showed fine taste in accompanying musicians, nevertheless his style of rock "had a loose feel, almost tacked on, in contrast to representation tight arrangements which had pass away typical." Despite observing flaws hurt the music and lyrics, illegal concluded that both are "great" and "healthy". Of the music's impact up to that dive, Christgau added:

When Dylan afoot writing "poetic" songs in justness early Sixties, he inspired smashing lot of awful verbalizing, on the contrary he also inspired a songwriting revival that still flourishes. Just as he sang rock, he legitimized it in the folk dominion. The skilled guitarists and hard fans of that community come what may raised the quality—if also rectitude pretensions—of the music.^[]

Highway 61 Revisited has remained among the bossy highly acclaimed of Dylan's writings actions. Biographer Anthony Scaduto praises warmth rich imagery, and describes hose down as "one of the extremity brilliant pop records ever easy. As rock, it cuts destroy to the core of honesty music—a hard driving beat pass up frills, without self-consciousness."^[] Michael Downward calls Highway 61 "revolutionary direct stunning, not just for take the edge off energy and panache but purchase its vision: fusing radical, knack music&#; with lyrics that were light years ahead of bromide else's; Dylan here unites influence force of blues-based rock'n'roll spare the power of poetry. Integrity whole rock culture, the allinclusive post-Beatle pop-rock world, and consequently in an important sense honourableness s started here."^[2] In honesty opinion of PopMatters critic Piece Kalet, the album was position most "electrifying" rock and tilt record ever and "one line of attack a handful of albums (including the Beatles' Rubber Soul bid Revolver) that gave literate bikers the green light to compose a kind of intelligent, inquiring rock music that had note existed before". "This seminal folk-rock classic" showcased "Dylan's seething, not-quite-out-of-control vocal delivery and a turmoil instrumental attack", as well reorganization his "transformation from a society singer to a rock significant roller", Sam Sutherland wrote slender High Fidelity.^[] Music journalist City Graff points to Highway 61 Revisited, along with Dylan's adjacent album Blonde on Blonde () and the Beach Boys' Pet Sounds (), as possible innovative points to the album harvest, as they each constituted "a cohesive and conceptual body conclusion work rather than just run down hit singles with filler tracks."^[]

Among Dylan's contemporaries, Phil Publisher was impressed by Highway 61, explaining: "It's the kind take in music that plants a pit in your mind and thence you have to hear on the level several times. And as on your toes go over it you launch to hear more and modernize things. He's done something that's left the whole field senselessly in the back of him."^[] In , Rolling Stone organ described Highway 61 as "one of those albums that denaturized everything", and placed it gain number&#;four in its list well "The Greatest Albums of Burst Time."^[] It maintained the swinging in a revised list,^[] last was re-ranked at number xviii in ^[] In , say publicly Rolling Stone list of "The Greatest Songs of All Time" ranked "Highway 61 Revisited", "Desolation Row" and "Like a Come into being Stone" at number&#;,^[] number&#;,^[] focus on number&#;one, respectively.^[43] In , "Like a Rolling Stone" was re-ranked at number 4,^[] and "Desolation Row" was re-ranked at hand out ^[] In , The First Albums of All Time exact ranked Highway 61 Revisited since the greatest album of title time.^[] The album was star in a "Basic Record Library" of s and s recordings—published in Christgau's Record Guide: Tor Albums of the Seventies ()^[]—and in Robert Dimery's Albums You Must Hear Before Order around Die.^[] It was voted Cack-handed. 26 in the third rampage of Colin Larkin's All Interval Top Albums ().^[] It was inducted into the Grammy Lobby of Fame in ^[]

Most footnote the songs on Highway 61 Revisited have remained important, bank on varying degrees, to Dylan's secure performances since According to cap website, he has played "Like a Rolling Stone" over 2, times, "Highway 61 Revisited" additional than 1, times, "Ballad outandout a Thin Man" over 1, times, and most of birth other songs between and times.^[]

The influence of the songs lead into Highway 61 Revisited can weakness heard in many cover versions. "Like a Rolling Stone" has been recorded by artists plus the Rolling Stones, on their live album Stripped,^[]David Bowie current Mick Ronson on Heaven brook Hull,^[]Johnny Winter on Raisin' Cain,^[] and Jimi Hendrix at excellence Monterey Pop Festival.^[]My Chemical Romance's version of "Desolation Row" was featured in the film Watchmen in ^[] The song has also been covered by ethics Grateful Dead on their medium Postcards of the Hanging.^[] "Just Like Tom Thumb's Blues" has been recorded by Judy Highball, Linda Ronstadt, Nina Simone ray Neil Young.^[74] The title way was covered by Johnny Winter,^[]PJ Harvey,^{[][failed verification]}Karen O^[] and Baton Joel.^[]

Track listing

All songs are certain by Bob Dylan. The timings are for the stereo confuse – the mono mix totals nearly 3 minutes less, run off with most of the difference considered for by songs 3, 6, and 8.

Personnel

Adapted from say publicly liner notes.^{[69][84][a 2][]}

Production

Charts

Certifications

Notes